After leaving Dentsu, Harano helped a media startup to conclude a successful IPO, following which, he returned to Dentsu to launch Drill, a non-traditional creative agency.
In 2011, he co-founded Article source and led it to win the Independent Agency of the Year at Spikes Asia 2012.
Soon after, in 2012, he founded Mori Inc.
Produced by Stink Studios New York, in association with Engine Film Tokyo.
Upon releasing the Japanese-translated version, we worked on the book design.
By reading this book further, the reader will gain the creative powers, bring about a new creation and then expand their world — we depicted such dynamic notion in a shape of iron frame used for the construction.
We created two versions, standard and deluxe.
The standard one comes with an expandable book cover which can be used as a promotional poster.
The deluxe one consists of four themed booklets and a sleeve to hold them together.
Mori is also one of the original writers of this book.
Standard Edition Printer: SO-EI PB PRINTING CO.
Translator: Koichi Kawajiri Editor: 森のゲームビデオ Moriya Creative Agency: Mori Inc.
Design Agency: Dentsu Inc.
Production Company: Creative Power Unit Client: SAYUSHA CO.
Production Company: Somesuch London SA Service Company: Monkey Films Thai Service Company: Indochina Productions Client: START TODAY CO.
ZOZO We created a crazy film for Zozo, a Japanese fashion company, using 1,925 denim jeans shot by a drone, no CGI.
Production Company: TYO drive Client: ZOZO Mori Inc.
This property was originally build for summer camp school purpose over 30 years ago by Numazu city, but was almost abandoned due to the recent low-birthrates situation.
We also created a TVC in which Godiva also suggested their customers give freely in this Valentine's Day.
Creative Director: Morihiro Harano Art Direction and Design: TYMOTE Q Asaba, Kent Iitaka, Rei Ishii Copywriter: Tetsuji Hasegawa, Morihiro Harano Agency Producer: Motoko Shimizu Motion Graphics: Takuya Hosogane Music: Satoshi Yoshitake Producer: Yuta Harasawa Creative Agency: Mori Inc.
Production Companies: TYMOTE, TYO Drive Client: Red Bull Human beings are instinctively mobile.
We can trace our roots to the continent of Africa, where, millions of years ago, our ancestors began what archaeologist Brian M.
Fagan calls "The Great Journey.
A journey of over 50,000 kilometers.
No other creature on Earth has traveled so far, or adapted itself to the terrain so widely.
PC用の最高の単語ゲーム goal of our Great Journey project is to reimagine this journey, and propose how it could be made today using the latest technologies for human mobility.
It was conceived as a journey of adventure that would also allow us to develop prototype vehicles for comfortable travel virtually anywhere on the planet.
Vehicles that offer a superb view of the passing scenery, and that can drive autonomously day and night, providing not only transport, but also shelter, a place to sleep, even a hot bath and space for a family pet.
With their expanded mobility and functionality, these vehicles are designed to enable us to follow our natural instincts and curiosity, exploring and rediscovering the ancient romance of travel in complete and total comfort.
PR Agency: Camron Client: Honda We created a music video for OK Go's "I Won't Let You Down" in collaboration with Honda.
Please watch the interview video for further information.
Creative Director: Morihiro Harano Art Director: Jun Nishida Director: Kazuaki Seki and Damian Kulash, Jr.
Choreographer: furitsukekagyou air:man Cameraman: Makoto Okuguchi Lighting: Akiyoshi Irio GRIP: Takashi Taniguchi DIT: Taito Oyama Multi-Copter Pilot: Kenji Yasuda Stylist: Kazuki Yunoki Hair Make: Asuka Fujio Sound Operator: Isao Yoshida Location Coordinator: Kyohei Kitamura Online Editor: Shunsuke Kakuuchi, Takashi Tanaka Colorist: Shigeyuki Toriumi Translator: Aiko Ishikawa, Ryuzo Tsutsui, Sumire Matsumura UNI-CUB: Kazuyuki Iwata, Hirokazu Hara, Shinichiro Kobashi, Makoto Hasegawa Mass Games Design + Previsualization: Daisuke Sasaki, David Robert, Munechika Inudo, Yoshifumi Sadahara, Gilles Brossard Interactive: Ryo Tsukiji, Kousei Motoyoshi, Nobuaki Arikata, Kenshiro Nakashima, Junichi Arakawa, Masanobu Ishii, Yusuke Kitani Making-of: Makoto Kubota Assistant-director: Hideaki Jinbo Production Manager: Satoshi Miyata Agency Producer: Shiro Miyamoto, Naoyuki Masuda, Misato Tachibana Producer: Mitsuru Yamamori Cast: OK Go Cameo: Perfume Special thanks to: the school girl dancers and Honda Creative Agency: Mori Inc.
A promotional movie for "Touch Wood SH-08C", a mobile phone also made out of surplus wood.
The film was selected as the Ad Ages's "The Best 10 TVCs 2011", "TED: Ads Worth Spreading 2012", and became one of the most watched Japanese TV commercials on YouTube.
just click for source video shows how to exchange business cards also in a "smarter" way.
Production Campany: morimori co.
A branding video for Sansan, a Japanese company which provides the social platform of business network.
Character Designer: Naoyuki Asano Character Design Producers: Ryosuke Inagaki, Naoko Tsutsumi Animation Producer: Ryo Higuchi Animation Directors: Hiroyuki Yoshida, Wataru Ono Animation Project manager: Yusuke Suzuki Animation Production Companies: Shirogumi, Graphinica Online Editor: Kenya Suzuki Mixer: Masaaki Yoshizaki Narrator: Yuichi Nakamura Production Manager: Ryo Nishiki Producer: Yuta Harasawa Executive Creative Director: John Yamamoto Client Supervisor: Maki Ehara Creative Agency: Mori Inc.
We tried to make a very "product-hero" TVC more entertaining and exciting, inspired by a great opening credits of "Footloose" of 1984.
Creative Director: Morihiro Harano Mori Inc.
Art Director: Masanori 青い湖のカジノ Deltro Inc.
Fashion Director: Davey Sutton Creative and Film Production: Stink Studios London Director: Greg Brunkalla Executive Producer: Tessa Wood Executive Creative Director: Cameron Temple Creative: Simon Cheadle Senior Visual Effects Designer: Tim Gardiner Visual Effects Designer: Robin Barnes Producer: Grace Carroll Editor: Pete Fullerton Post Production Supervisor: James Vorley DOP: Rina Yang Post Production Post-production: Smoke and 森のゲームビデオ ゲームPCを composer: Guy Amitai Agency Producer: Motoko Shimizu Mori Inc.
Account Executives: Naoya Ozawa, Miki Kanayama Dentsu Inc.
Client Supervisor: Tsuyoshi Hayashi Uniqlo Creative Agency: Mori Inc.
Production Company: Stink Studios Client: Uniqlo In a series of films for Campari a woman is faced with a puzzling situation: how to drink a Campari that is turned upside down.
Each episode offers a quirky solution on how to turn the upside-down-glass back into its drinking position.
This film puts the eye-popping slow motion function of the Sony Action Cam to the test in an surprisingly fast race between the epitome of slow - turtles.
NOTE: No turtles or dogs were harmed in the making of this film.
We designed a visual identity system based on dots: Https://games-casinos.site/1/1487.html Dots.
Design Agency: Kazunari Hattori Inc.
Production Company: Light Publicity Co.
This POLA recruitment https://games-casinos.site/1/527.html was the first ever TVC which mentioned about the gender equality situation in Japan, and got a huge response from the audience.
We talked about the gender read more situation in Japan again, got a bigger response from the audience much more than the previous year.
We created the beautiful flower stall with Makoto Azuma, Enzo, and Yusuke KItani and make it go around the world.
The flower arts are also used for the new package design as the symbol of its new branding.
Production Manager: Hiroshi Yamakawa Spoon.
Producer: Kentaro Ishibashi Spoon.
Designer: Atsuhi Hashimoto YAMA Programmer: Komei Sato Kappuku Creative Agency: Mori Inc.
Client: Pola BA +++++ 2 TVC: Iceland Creative Director: Morihiro Harano Copywriter: Eiji Tanino, Hizuru Miyake Art Director: Q Asaba Flower Artist: Makoto Azuma Director: Seiichi Hishikawa DOP: Seiichi Hishikawa, Shinya Sato フォックスウッドカジノマッサージ Katsunori Saito Flower Stall Design: Enzo Production Designer: Hiroshi Kohno Stylist: Masashi Nomura,Tsugumi Watari Hair+Makeup: Ryuji Nakashima, TAKU, WADA Location Coordinator: Sumire Matsumura, Pegasus Pictures Online Editor: Shunsuke Kakuuchi VFX: Munechika Inudo, Yoshifumi Sadahara, Crescent Cast: Ryoko Yonekura, Mari Natsuki Agency Producer: Motoko Shimizu Production Manager: Rie Gonda, Satoshi Miyata Producer: Mitsuru Yamamori ECD: Kotaro Sugiyama Creative Agency: Mori + Light Publicity Production Company: morimori Client: POLA +++++ 3 Manifesto Movie Creative Director: Morihiro Harano Copywriter: Eiji Tanino, Hizuru Miyake デルラゴカジノプレーヤーカード Director: Q Asaba Director+DOP: Kazunali Tajima Lighting: Masami Noguchi Production Designer: Kazutomo Yamamura Online Editor: Yuto Umega Offline Editor: Takanobu Tsushima Mixer: Yuko Hashimoto Music: Goldmund Narration: Mari Natsuki 火の玉ゲーム無料ダウンロード Manager: Masahiko Shirato Producer: Yusuke Ohkoshi ECD: Kotaro Sugiyama Creative Agency: Mori + Light Publicity Production Company: Light Publicity Client: POLA Honda manufactures wide range of products including automobiles, motorcycles, jets, water crafts, electrical generators, lawn and garden equipments.
The engines don't just move machines and vehicles, but move people and society.
We considered the engines with bigger perspectives, and developed the graphics and copies.
The website automatically shifts as if it is driven by the engines.
CD: Morihiro Harano Mori AD: Yoshihiro Yagi Dentsu C: Haruko Tsutsui DentsuNae Mikuni DentsuDaisuke Asano DentsuScott Lehman Lehman Ad Film Director: Takuya Demura Caviar Interactive Director: Yusuke Kitani Kaibutsu Music: Satoshi Yoshitake cubesato Designer: Taiji Kimura PEN.
Super ultra daydreams Music: Satoshi Yoshitake cubesato Designer: Shunsuke Sugiyama Online Editor: Ryo Nakazato TYO Technical Ranch Inc.
Mixer: Masaaki Yoshizaki TYO Technical Ranch Inc.
PM: Yuta Harasawa Producer: Shunichi Takano Making-of 3D printing DOP: Junya Sato Kaibutsu Editor: Junichi Arakawa BIRDMAN Music: Satoshi Yoshitake cubesato Creative Agency: Mori Inc.
Production Company: Kaibutsu Inc.
Client: Honda Motor Co.
A motion graphics film for Honda's global branding.
It was revealed at Honda booth in the 43rd Tokyo Motor Show.
We created a young directors' showcase called "Never Before Seen", which hosts over 20 videos shot by Sony Action Cam to position it as the camera of choice for makers everywhere.
Production Company: Stinkdigital New York Client: Sony The riverhead area in Kumamoto, Kyushu is renowned for its high quality of pure natural water.
We created a music video kind of a TV Commercial by syncing the footage of the dancing water with the original sound of water, filmed and recorded around the area.
The music is a widely known piece called Pachelbel's Canon.
Director : Seiichi Hishikawa DRAWING AND MANUAL Cinematographer : Eitaro Yamamoto SHADOW-DANSeiichi Hishikawa, Yutaka Obara DRAWING AND MANUAL Recordist : Toshiro Matsumoto Offline Editor : Seiichi Hishikawa, Yutaka Obara DRAWING AND MANUALRyosei Suzuki Online Editor : Hitoshi Kimura BOOK Mixer : Kazue Akiyama BOOK Production Designer : Ken Yamada BEARD Project Manager : Motoko Shimizu Mori Production Read article : Shinji Urano Engine PLUS Producer : Toshifumi Oiso Engine PLUSTakashi Ueno DRAWING AND MANUAL Creative Agency : Mori + Drill Production Company : Engine Plus + DRAWING AND MANUAL + Invisible Design Lab.
Client : Sony Magic is Menicon's new contact lens series, which uses a new technology that enables the super thin 1mm container.
We created the entire brand communication, including the product name, packaging, communication design, PR solutions and advertisement.
In short, you can become a "bird" now.
We also have an Android app.
It is brought you by Miru, a new contact lenses brand from Japan.
Production Company Japan: Engine Plus Client: Miru Menicon This video is created for the global launch of Huawei Watch 2.
It is directed by Greg Brunkalla and produced by Stink クラウンカジノパースでのゲーム />Production Company: Stink Studios Client: Huawei Hotel Japan is a truly unique hotel gift shop which sells curated souvenirs for creative travelers in Tokyo.
Although the hotel currently exists only in Mori's imagination, he looks forward to working with hotel operators who share his vision and desire to make it a reality.
When you will come to Tokyo, please visit his gift shop in Jingumae, Shibuya.
Co-Curator: MITSUBAI TOKYO Art Director: Yoshihiro Yagi Copywriter: Haruko Tsutsui, Scott Lehman Graphic 森のゲームビデオ Taiji Kimura, Daisuke Hatakeyama, Minami Otsuka, Hirono Matsunaga Printing Director: Shinya Tamura Interior Designer: Ayaka Yasuda, Motoyuki Murata Web Designer: Yusuke Kitani, Yama Photographer: Takaya Sakano, Junya Sato Video Director: Takuya Demura Music: Satoshi Yoshitake Shop Manager: Yumi Masuda Special thanks to Watarium Museum, Motoko Shimizu and Misato Tachibana A creative instruction video for NTT Docomo's "d-Video", a VOD service for smartphones in Japan.
Creative Director: Morihiro Harano Mori Art Director: Jun Nishida Drill Technical Director: Masato Tsutsui Director: Kazuaki Seki triple-O Cameraman: Makoto Okuguchi Lighting: Akiyoshi Irio Projection: Nobuyuki Shintani Prism Stylist: Shinichi Mita kiki Action Advisor: Chikaomi Miyamoto Editor: Ryan McGuire, Yusaku Yasuda Cutters Tokyo Colorist: Steve Rodrigues Cutters Tokyo Music: Great Garbo music Production Manager: Satoshi Miyata morimori Agency Producer: Misato Tachibana Mori Producer: Mitsuru Yamamori morimori Cast: Brandon McCuien Client: NTTDocomo d-Video BeeTV Creative Agency: Mori Inc.
We designed a new interface for Bee TV, a movie distribution service for the smartphone developed by NTT docomo and Avex.
Morihiro Harano has been in charge of its wholesome creative direction, including the product name, visual identities, program selections, communication design and PR solutions since its inception in 2009.
The commercial was produced by Takuma Takasaki at Dentsu.
The commercial was directed by Tetsuya Nakashima.
Photographer: Orie Ichihashi Gr.
SPARK Client: NTTDocomo d-Video BeeTV Creative Agency: Mori Inc.
In order to increase the usage frequency of "EPOS CARD", a Japanese medium-sized credit card brand, we presented a bold idea - change the product design.
Based on the fact that there is no psychological connection between a user and a credit card, we added another feature to the membership process; choosing a favourite card out of 100 designs.
With 森のゲームビデオ, we have successfully created a personal psychological connection between the user and the service doubled the size of their credit card business.
As a result, more than 890,000 people watched it live, and over 7 million pushes were recorded during the show.
It's an iPhone app, which allows kids to enjoy driving from the backseat of the car.
By using the iPhone's GPS function, the players are able to drive a virtual car, which moves along with the real car that they are driving.
They can collect actual shops and landmarks, which are generated using the Foursquare API.
The players can also accrue points, customize their car, and share their drive with friends via Twitter.
The "Backseat Driver" offers the passenger a new way to enjoy driving.
This is a platform to transform buyers into sellers.
By registering on WALL, the users become the owner of the boutiques.
They can display their choices of fashion and interior items in their virtual wall, and can share their own shops via SNS, like Facebook with their friends.
A small percentage of the revenue will be passed on to the owner.
This is a new type of affiliate system.
The unique technology made "competitive price" and "full-lineup strategy" possible and we named the lineup as "Honda Green Machine".
Toyota established its image as the "inventor" of the hybrid, therefore our strategy was https://games-casinos.site/1/746.html position Honda as the "democrat" and successfully executed the debut campaign for the first Honda Green Machine, Insight.
The launch had a substantial impact on the industry and Toyota even announced to reduce the price of PRIUS just after the campaign.
Unlike an usual booth, the vehicle was surrounded by a wall and was not visible from outside.
The philosophy behind the product development was written on the wall surrounding the vehicle, both in English and Japanese.
The booth was designed not only to display the product itself but also to showcase and communicate the philosophy and context behind the product.
The restaurant serves full course menu completely made with candies.
This unique space was designed in collaboration with an artist, Martí Guixé.
Set in a mega-city Shinjuku, the narrative tells a story of a boy meets girl, in a world 1cm above the ground.
The story was written by copywriter, Takashi Yamamoto.
CD: Morihiro Harano C: Takashi Yamamoto AD: Yusuke Kitani Flash: Yama P: Koji Fujioka AG: Drill + Dentsu CL: Shinjuku Marui The opening campaign for Yurakucho Marui department store.
The concept was "Fashion Thearpy" and the teaser campaign was executed with a "capsule" icon.
We installed "capsule" vending machines on the street, opening the "Candy Restaurant", and projected gigantic animation on an exterior wall of the store.
The campaign turned Yurakucho area into a big toy box and attracted a lot of media coverage.
After the opening, we've worked on a section of the store space and also the shopping bag design.
A gigantic advertisement covering the exterior wall of Marui building.
The graphic was switched every month and so it changed the entire visual scenery of the town.
The impact was clearly visible.
ゲーム無料 then, the neighbouring department stores have inquired about the creatives behind the advertisement.
CD: Morihiro Harano, Alex Freund C: Takashi Yamamoto AD: Yusuke Kitani Fashion Director: Lisa Mosko P: Koji Fujioka AG: Drill + Dentsu CL: Marui The 40th anniversary campaign for "Licca", the Japanese Barbie doll.
In the world of "Licca", women have long been considered as "good wives and wise mothers", which is a norm that people valued 40 years ago.
In order for the brand to fit into a new generation, we created a story named, "Licca World Tour".
The story was told via Licca's personal blog updated in real time as she visited new cites.
A continue reading product article source was released coinciding with her journey, such as a limited edition Licca doll wearing fashion items based on the location.
The campaign worked well, along with developing products and the store fronts we supervised the product design.
The entire journey of 11 cites in 9 countries was then edited into a photo journal which was published from Shogakukan at the end of the campaign.
In order to rejuvenate the brand and the customer base, we chose young women as our main target.
Under our integrated creative direction, the brand was reformed from the package design to the communication strategy.
The offer came directly from the Ambassador John Victor Roos, to create the visual identity for the project.
Creative Director: Morihiro Harano, Masashi Kawamura Art Director: Masashi Kawamura Designer: Miho Ishizuka Agency: PARTY Client: US Embassy.
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